Elysium
The Arnolfini portrait
Jan van Eyck
1434
Oil on oak 
82.2 x 60 cm
National Gallery NG186 , London, England

dggus:

i talk a lot of shit for someone who can’t choose rude dialogue options in games because i’m scared of hurting a characters feelings

fishstickmonkey:

Stamp Seal 
Provenience: Iraq - Tepe Gawra
Date Made: c. 3200 BC
Materials: Serpentine
Penn Museum

fishstickmonkey:

Stamp Seal
Provenience: Iraq - Tepe Gawra
Date Made: c. 3200 BC
Materials: Serpentine
ancientpeoples:

Metal harness ornament of a crouching tiger 
5.7cm high and 10.2cm long ( 2 1/4 x 4 inch.) 
China, 7th - 6th century BC. 
Source: Metropolitan Museum

ancientpeoples:

Metal harness ornament of a crouching tiger 

5.7cm high and 10.2cm long ( 2 1/4 x 4 inch.) 

China, 7th - 6th century BC. 

Source: Metropolitan Museum

Teaching kids to give handjobs since the 90s

whyiseveryonefalling:

scotchcarousel:

the-funkiest-penguin:

friendly-pedophile:

bellamyyoung:

yourgayfriend:

emisummerful:

image

You know you’re a lesbian when: You put your finger in it instead.

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OH GOD, I ONLY EVER PUT MY FINGERS IN THEM. 

I did both…image

i did both. i also bent it, what does that tell me now

You kinky son of a bitch.

I used to step on mine until they exploded.

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ancient-mesopotamia:

Mesopotamian Black Limestone Kudurru
Second Dynasty of Isin, 1157-1025 BC; Height 16.5 inches

The upper section of this finely polished black limestone kudurru is decorated in intricately carved raised relief with symbols and sacred animals representing a large group or “gathering” of Mesopotamian gods and goddesses. Kudurrus, sometimes referred to as “boundary markers,” were actually land grant documents used by kings to reward their favored servants. These monuments were set up in temples to record royal land grants. The full force of the Mesopotamian pantheon was utilized both to witness and guarantee the land grant by carving the symbols and sacred animals of the deities on the kudurru. In the shape of a cylindrical ovoid, this particular kudurru was not inscribed, perhaps because the person who was to receive the land grant died before it could be finalized, or because the king changed his mind and decided not to make the land grant after all. Each kudurruis unique; a good deal of variation exists in the number and choice of deities which appear.

Front:

On this standing monument, the Mesopotamian pantheon is presented. The four great gods come first. Anu (“father of the gods” and god of heaven) and Enlil (god of wind, kingship and the earth), are shown as a multi-horned divine crown each on its own temple facade. Then Ea (god of water, magic and wisdom), is shown as a curved stick ending in a ram’s head atop a temple facade pulled by the foreparts of a horned goat. Above the first two deities, a female headdress in the shape of an omega sign, symbolizes Ninhursag (“mother of the gods” and goddess of fertility).

Reverse:

The leading Babylonian god, Marduk, and his son Nabu, appear next. A triangular spade pointing up and a scribe’s wedge-shaped stylus, respectively, each sits atop a temple facade pulled by the foreparts of a snake-dragon known as a Mushus. All five temple facades float on fresh, underground waters known as the Apsu or the Deep. Following these divinities, we find the mace, perhaps a local war god, the scepter with double lion heads of Ninurta (god of war), the arrow, a symbol of the star Sirius, and the two-pronged lightning bolt of Adad. This storm god is called by the similar name Haddad in the Levant. The running bird Papsukkal (minister of the gods, associated with the constellation Orion), is followed by the scorpion Ishara (goddess of oaths), the seated dog Gula (goddess of healing) and a bird on a perch, symbolizing both Shuqamuna and Shumalia (patron deities of the Kassite royal family).

Top:

The top of the kudurru, representing the heavens, is surrounded and enclosed by the body of a large snake. Nirah (the snake god) encompasses four astral deities the crescent moon of Sin (the moon god), a multi-rayed circular sun disc of Shamash (the sun god), a star inside a disc for Ishtar (the goddess of love -especially sexuality- and war) and the lamp of Nusku (the god of fire and light). Ishtar, considered the most important Mesopotamian female deity, is associated with the morning and evening star, the planet Venus.

distant-relatives-blog:

Nubian with oryx, monkey, and leopard skins
Period:            Neo-Assyrian
Date:               ca. 8th century B.C.
Geography:     Mesopotamia, Nimrud (ancient Kalhu)
Culture:           Assyrian
Phoenician ivory carvers were strongly influenced by the themes and style of Egyptian art owing to traditionally close ties between the two cultures. Some Phoenician ivories illustrate purely Egyptian themes, but many use Egyptian motifs in entirely original compositions.
(source: Metropolitan Museum)

distant-relatives-blog:

Nubian with oryx, monkey, and leopard skins

  • Period:            Neo-Assyrian
  • Date:               ca. 8th century B.C.
  • Geography:     Mesopotamia, Nimrud (ancient Kalhu)
  • Culture:           Assyrian


Phoenician ivory carvers were strongly influenced by the themes and style of Egyptian art owing to traditionally close ties between the two cultures. Some Phoenician ivories illustrate purely Egyptian themes, but many use Egyptian motifs in entirely original compositions.

(source: Metropolitan Museum)

ancientpeoples:

Gold disk showing a rosette 
1.5 x 0.4cm (5/8 x 1/8 inch.) 
Etruscan, 7th - 5th century BC. 
Source: Metropolitan Museum

ancientpeoples:

Gold disk showing a rosette 

1.5 x 0.4cm (5/8 x 1/8 inch.) 

Etruscan, 7th - 5th century BC. 

Source: Metropolitan Museum